Showing posts with label marc jacobs. Show all posts
Showing posts with label marc jacobs. Show all posts

Friday, 4 March 2016

Marc Jacobs Re(Marc)Able Full Cover Foundation Concentrate

RRP: £37 for 22ml
# of shades available: 22

--What does the promo say?--
"The weight is over: 24-hour full, flawless coverage is yours in an instant with this ultra-lightweight foundation concentrate by Marc Jacobs. This revolutionary oil-free formula contains twice as much pigment as a leading full-coverage foundation, but it is emulsified with ground-breaking ingredients so the smallest amount completely covers with dot-on perfection."

--Packaging--
The curved shape of the bottle is unusual enough to catch the eye, and yet also practical in that it does stand upright. The silver stopper and glass applicator are both unique and sophisticated - traits accentuated by the opaque glass of the bottle and minimalist approach (with just the Marc Jacobs logo adorning it).

--Application--
You'd think the glass applicator would be tricky to use, but it's not: just dab a dot onto your forehead and then one more onto each cheek, and blend with your fingers, a sponge or a foundation brush. Believe me when I say that this will do your whole face. Very easy to apply - just watch out for tide marks around the jawline and eyes.

--Appearance--
My shade (Ivory 10) is the palest available and perfect for me. It blends seamlessly and provides the excellent coverage promised, with very little touchup from concealer or powder needed. It's matte yet radiant, with the best coverage I've ever experienced.

--Scent--
Nothing discernible. I'm convinced that many more brands are getting increasingly better at this.

--Texture and consistency--
Blends smoothly and flawlessly without feeling oily or greasy. When it dries, it's powder-light and not at all cakey. Brilliant!

--Longevity--
Lasts all day, with no need for reapplication. Does not smudge or fade, and yet is easy enough to remove when required.

--Value for money--
Even a pea-sized amount would be too much per application, which shows just how little you need to cover your whole face. Has excellent coverage without clogging your skin, won't budge all night, and looks great in photos. Simply wonderful.

perfect partners
Under(Cover) Perfecting Face Primer, £30
Re(Marc)Able Full Cover Concealer, £20
Conceal Full Cover Correcting Brush, £22
Liquid Foundation Brush, £32
Perfection Powder Featherweight Finish, £32
The Blush Angled Blush Brush, £24
Shameless Bold Blush, £22

Sunday, 4 July 2010

Flower Fairies

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In the third of my series on the fragrance wheel, I'll be throwing a bone to all the real girly girls out there who love flowery, truly romantic fragrances.

This doesn't mean that such fragrances are always superficial, trite or cheap-smelling; quite to the contrary, many floral fragrances are classics that have been adored by women for many years.

One such classic ladies' perfume is Cacharel's Anaïs Anaïs, which combines rose and lily with some of the woodier and more oriental scents previously discussed, such as sandalwood and amber, to make one of the beauty world's most-loved perfumes. Cacharel hit the spot again with Noa and Noa Perle, using a similar blend to capture the essence of forest flowers on women's wrists the world over.

Another cult favourite came to the world of floral perfume in the form of Yves Saint Laurent's Paris, which also nods to the woods with its sandalwood and amber notes alongside its dominant mimosa flower, orange and rose. Originally released in 1983, it's also packed with jasmine and violet, and has inspired many spinoffs from YSL, including the more recently released Parisienne, which is more heavily dominated by violets and is more sugary.

However, floral fragrances are not just stuck in the seventies and eighties, with many more modern floral perfumes having taken the world by storm in recent years. Daisy by Marc Jacobs, for instance, captured the world with its dreamy and dazzling gold bottle, adorned with daisies. It not only uses the popular violet scent but also utilises jasmine and gardenia along with some fruitier undertones and muskier, more vanilla-like overtones. This captivating combination has held the public's attention ever since it first hit the shelves (although it is perhaps not purely floral due to its reliance on other members of the fragrance wheel, perhaps making it more of a Fougère fragrance - more on this soon!).

Other, perhaps more obvious, examples of floral fragrances that have arrived on the scene this century include Valentino's Rock 'n' Rose. Categorised as a floral oriental perfume, it blends orange flower and rose to create an edgy, unique new scent for modern young women. Lastly for today, there's Viktor & Rolf's Flowerbomb, which almost speaks for itself. It contains everything you could think of for a floral scent: jasmine, rose, orchid, freesia, and a hint of patchouli just to mix things up a bit. This last one is one of my favourites, although I'd also recommend Anaïs Anaïs (mentioned before) - though I'm sure there's a myriad of floral fragrances out there just waiting for me to discover them.